Hamid Dabashi

Articles

Professor Dabashi has written over 100 essays, articles and book reviews in major scholarly and peer reviewed journals on subjects ranging from Iranian Studies, Shi’ism, Medieval and Modern Islamic Intellectual History, Comparative Literature, World Cinema, Trans- aesthetics, Trans-national Art, Philosophy, Mysticism, Theology, Post- colonial Theory and Cultural Studies.

Selected Articles

Visual, Performing Arts and Aesthetics
(2008) “Quis Custodiet Ipsos Custodes: Who Watches the Watchers?”
Middle East Journal of Culture and Communication, 1.1, June 2008, p. 24-29

World Cinema
(2010) “Time to Speak Out”
Sight and Sound, 20.5, May 2010. P. 12.

(2010) “Paradise Delayed: With Hany Abu-Assad in Palestine”
Third Text, 24.1, January 2010, p. 11-23.

(2005) “Warriors of Faith”
Sight and Sound, 15.5, May 2005, p. 24, 26-27.

Postcolonial Theory
(2008) “The American Empire: Triumph of Triumphalism”
Unbound: Harvard Journal of the Legal Left, Vol. 4

Islamic and Iranian Studies

(2000) “The End of Islamic Ideology,”
Social Research. Volume 67, Number 2, Summer 2000. pp. 475-518.

(2000) “In the Absence of the Face,”
Social Research, Volume 67, Number 1. Spring 2000. pp. 127-185.

(1993) “Historical Conditions of Persian Sufism during the Seljuk Period.”
In Leonard Lewisohn (ed.), Classical Persian Sufism: From Its Origins to Rumi. London and New York, Khaniqahi Nimatallahi Publishers.

(1989) By What Authority? — “The Formation of Khomeini’s Revolutionary Discourse, 1964-1977.
Social Compass, vol. 36, no. 4, December 1989.

(1989) “Modern Shi’i Thought”.
The Oxford Encyclopedia of the Modem Islamic World.

(1986) “Symbiosis of Religious and Political Authorities in Islam.”
In Thomas Robbins and Roland Robertson (eds.), Church-State Relations: Tensions and Transitions. New Brunswick, NJ, and London, Transaction Books.

(1986) “The Sufi Doctrine of ‘The Perfect Man’ and a View of the Hierarchical Structure of the Islamic Culture.”
Islamic Quarterly, vol. 30, no. 2, Second Quarter, 1986.

Islamic Philosophy

(1996) “The Philosopher/Vizier: Khwajah Nasir al-Din al-Tusi and His Isma’ili Connection.”
In Farhad Daftari (ed.), Studies in Isma’ili History and Doctrines. Cambridge, Cambridge University Press, 1996.

(1994) “Khwajah Nasir al-Din al-Tusi: The Philosopher/Vizier.”
In Oliver Leaman (ed.), A History of Islamic Philosophy. London, Routledge.

(1994) “Mir Damad and the School of Isfahan.”
In Oliver Leaman (ed.), A History of Islamic Philosophy. London, Routledge.

(1994) “Ayn al-Qudat: That Individual.”
In Oliver Leaman (ed.), A History of Islamic Philosophy. London, Routledge.

(1990) “Danish-namah-yi Aia’i.”
Encyclopedia Iranica. (1990) “Mir Damad.”
The Routledge Encyclopedia of Philosophy.

Visual, Performing Arts and Aesthetics

(2009)“Social Networking and the Making of a Civil Rights Movement”
Social Text,November 2009.

(2007) “Bahman Jalali and the Making of Iranian Aesthetic Modernity”
Catalantranslation: “L??nima d?una m?quina sense ?nima: Reflexions sobre la fotografia de Bahman Jalali”
(Watch video)

Fundaci? Antoni T?pies, Barcelona, Spain.

(Forthcoming) “By the Dawn: And Ten Nights, On Shirin Neshat’s ‘Tooba.'”
Paris, CNRS. In English and French.

(2005) “Artists without Borders: On Contemporary Iranian Art”
in Octavio Zaya (Ed), Contemporary Iranian Artists: Since the Revolution (San Sebastian, Spain: Museum of Contemporary Art, 2005). In English, Spanish, and Catalan.

(2005) “Shirin Neshat: Transcending the Boundaries of an Imaginative Geography”
in Octavio Zaya (Ed), The Last Word. San Sebastian, Spain, Museum of Modern Art. In English and Spanish.

(2005) “Women without Headaches: On Shirin Neshat’s ‘Women without Men.'”
Berlin, Germany, Hamburger Bahnhof, Museum f?r Gegenwart. In English and German.

(2005) “Ta’ziyeh: Theater of Protest,”
in The Drama Review (TDR).

(2002) “Bordercrossings: Shirin Neshat’s Body of Evidence,”
Catalogue of Castello di Rivoli Retrospective on Shirin Neshat. Turin, Italy. January 2002.

World Cinema

(2003) “It was in China, Late One Moonless Night. (Part V: Representations of Privacy in Literature and Film),”
in Social Research. Fall 2003.

(2002) “Dead Certainties: Makhmalbaf’s Early Cinema,”
in Richard Tapper (Eds), Studies in Iranian Cinema. London, I.B. Tauris.

(1999) “Mohsen Makhmalbaf’s Moment of Innocence,”
in Rose Issa and Sheila Whitaker (Eds), Life and Art: The New Iranian Cinema. London, The British Film Institute, 1999. pp. 115-128.

Persian and Comparative Literature

(2003) “Nima Yushij and Constitution of a National subject,”
Oriente Moderno, Volume xxii (lxxxiii), 2003.

(1994) “Of Poetics, Politics and Ethics: The Legacy of Parvin E’tesami.”
In Heshmat Moayyad (ed.), Once a Dewdrop Accosted a Rose: Essays on the Poetry of Parvin E’tesami. Costa Mesa, CA: Mazda Publishers.

(1988) “Forough Farrokhzad and the Formative Forces of Iranian Culture.”
In Michael C. Hillmann (ed.), Forough Farrokhzad: A Quarter Century Later. Literature East and West.

(1985) “The Poetics of the Politics: Commitment in Modern Persian Literature.”
Iranian Studies, Special Issue, The Sociology of the Iranian Writer, ed. by Michael C. Hillmann, vol. 18, nos. 2-4, Spring-Autumn, 1985.

“Persian Literature”
for The Oxford Encyclopedia of the Modern Islamic World.

Postcolonial Theory

(2009) “The Discrete Charm of European Intellectuals.”
International Journal of Žiżek Studies, Žiżek in Tehran, Vol 3, No 4.

(2001) “For the Last Time: Civilizations.”
International Sociology. September 2001. Volume 16 (3): 361-368.

(2001) No soy subalternista, [I am not a Subalternist]
in Ileana Rodriguez (Ed), Convergencia de Tiempos: Estudios subalternos / contextos latinoamericanos estado, cultura, subalternidad. Atlanta, GA: Editions Rodopi b.v. 2001. pp. 49-59.

Additional Reading:

Copyright ©2009-2017 Hamid Dabashi. All rights reserved.
Array ( [2] => Array ( [title] => [text] => "A leading cultural observer." Washington Post "Our most prominent intellectual." Shirin Neshat "Renowned Columbia University scholar on Iranian culture." Boston Globe "Spectacular, important, and incisive. Dabashi's work is crucial for our times." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi lovingly writes about the history of Iran that teaches us how to understand a people overshadowed by the grand narratives of political (mis)representation." Gayatri Spivak
Columbia University
"You are with a humanist who deeply loves his country, and invites you to feel very much at home." Susan Buck-Morss
Cornell University
"Superb authority... Dabashi provides a tour de force on Iranian art, politics and culture." Shirin Neshat "Great erudition and imagination... bringing out rich aspects of Iranian culture that are little known or not recognized." Vanessa Martin, Royal Holloway
University of London
"Hamid Dabashi, is one of the most significant intellectual voices outside of Iran since the Islamic revolution." Shirin Neshat "A leading light in Iranian studies." The Chronicle of Higher Education "Cuts through the myths, past and present, that Americans have been told about Iran... presenting Iran's history through the lens of its literary cosmopolitanism." Susan Buck-Morss
Cornell University
"Magisterial." Houchang Chehabi
Boston University
"An important man in New York." Sir Ridley Scott "Much-needed in our troubled times." Gayatri Spivak
Columbia University
"Exemplary of a new Leftist discourse that is undogmatic and non-sectarian... open and intimate." Susan Buck-Morss
Cornell University
"Hamid Dabashi beautifully lays out the alluring dynamic between Iranian art and politics." Shirin Neshat "A rare cultural critic." Mohsen Makhmalbaf "Dabashi's passion and extraordinary vision, gives us the knowledge and commitment to stand against war and build the possibilities for peace and global justice." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi's piercing revelations have been as instrumental in fashioning my own films as have Scorsese, Rossellini and Bresson." Ramin Bahrani "Superb and brilliant." Bruce Lawrence
Duke University
"Fresh, provocative and iconoclastic." Ian Richard Netton
University of Leeds, UK
"Learned... sparkles with verve and a sometimes punishing wit. Hamid Dabashi is the perfect guide." Edward W. Said "There are few better places to begin than with Dabashi's subtle and vividly presented wealth on Iran." Said Amir Arjomand
SUNY, New York
"Objective and empathetic... unlike many others on contemporary Iran." Ervand Abrahamian
Baruch College, New York
"Enthusiastic... clear and accurate... impressive." Oliver Leaman
Liverpool John Moores University, UK
"Original, creative and insightful." John L. Esposito
Georgetown University
"Extraordinary." Daniel Brumberg
Georgetown University
"Dabashi has an astonishing ability to range over some of the most complex issues of modern intellectual life." Sudipta Kaviraj
Columbia University
"If anyone can lay claim to Nima Yushij's statement that this world is his home, it is Hamid Dabashi. I want a very broad readership to know the quality of his writing and thinking, of his immense epistemic and historical scholarship." Gayatri Chakravorty Spivak
Columbia University
"Dabashi is learned, poetic, ranging from philosophy to film, every word written with a commitment to the possibility of a just world. I have worked with him in the past and will work with him again in the future." Gayatri Chakravorty Spivak
Columbia University
"Hamid Dabashi is one of the foremost exponent today of postcolonial critical theory, whose work deserves to be called post-colonial with all the multivalence of this description." Sudipta Kaviraj
Columbia University
"Hamid Dabashi's writings on Iranian culture and politics brilliantly re-imagine the rich heritage of a shared past and a conflicted present. His reflections on revolution and nationhood, poetry and cinema, philosophy and the sacred, are urgent, provocative, complex, and highly original." Timothy Mitchell
Columbia University
"Equally fluent in philosophical reasoning, literary interpretation, visual hermeneutics and writing with a rare combination of penetration and lyricism, Dabashi's work continues values of both modern critical theory and the highly sophisticated and subtle intellectual traditions of Iranian... reflection -- for both of which he is an wonderfully sympathetic reader." Sudipta Kaviraj
Columbia University
"Hamid Dabashi belongs to a marvelous tradition of poetic thinkers, whose deep insights are crafted in magnificent poetic prose." Gilbert Achcar
University of London
"Dabashi provides his readers with the wine of literary pleasure along with rich food for thought." Gilbert Achcar
University of London
"In Dabashi's work, post-coloniality does not mean a denial or denunciation of the modern European tradition of philosophy and social theory, but their effortless absorption into a larger, more complex reflection." Sudipta Kaviraj
Columbia University
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