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Hamid Dabashi

(Pluto Press, 2019)

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Official Page on Pluto Press Website:

https://www.plutobooks.com/9780745338408/europe-and-its-shadows/

 Europe has long imagined itself as the center of the universe, although its precise geographical, cultural and social terrains have always been amorphous. Exploring the fear and fascination associated with the continent as an allegory, Hamid Dabashi considers Europe to be a historically formed barricade against the world. Frantz Fanon’s assessment that ‘Europe is literally the creation of the Third World’ is still true today; but in more than one sense for the colonial has always been embedded in the capital, and the capital within the colonial. As the condition of coloniality shifts, so have the dividing lines between colonizer and colonized, and this shift calls for a reappraisal of our understanding of nationalism, xenophobia and sectarianism as the dangerous indices of the emerging worlds. As the far-right populists captivate minds across Europe and Brexit upsets the balance of power in the European Union, this book, from a major scholar of postcolonial thought, is a timely and transformative intervention.

“I have several books about Europe on my book-shelf. Some are apologetic and celebratory, others are critical and reflective. All of them are written by Europeans. Hamid Dabashi’s will be the first that takes Europe as an object of study and no longer only the home of thinking subjects.”  — Walter D. Mignolo, author of ‘The Darker Side of Western Modernity: Global Futures, Decolonial Options’

“A passionate and erudite reflection on the aftermath of Europe. Demonstrating the limits of the frequent, yet reactionary, defenses of Europe from left and right, Dabashi invites us to consider the geographies of imagination, thought, and praxis that appear behind the shadows of capitalism and coloniality. A crucial text to advance post- and decolonial thinking across the Global South.”  — Nelson Maldonado-Torres, author of ‘Against War: Views from the Underside of Modernity’

“Césaire’s Discourse on Colonialism denounces what is perpetrated in the name of Europe. Europe and its Shadows raises a more radical question: What is ‘Europe’?’ — Souleymane Bachir Diagne, author of ‘Postcolonial Bergson’

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Array ( [2] => Array ( [title] => [text] => "A leading cultural observer." Washington Post "Our most prominent intellectual." Shirin Neshat "Renowned Columbia University scholar on Iranian culture." Boston Globe "Spectacular, important, and incisive. Dabashi's work is crucial for our times." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi lovingly writes about the history of Iran that teaches us how to understand a people overshadowed by the grand narratives of political (mis)representation." Gayatri Spivak
Columbia University
"You are with a humanist who deeply loves his country, and invites you to feel very much at home." Susan Buck-Morss
Cornell University
"Superb authority... Dabashi provides a tour de force on Iranian art, politics and culture." Shirin Neshat "Great erudition and imagination... bringing out rich aspects of Iranian culture that are little known or not recognized." Vanessa Martin, Royal Holloway
University of London
"Hamid Dabashi, is one of the most significant intellectual voices outside of Iran since the Islamic revolution." Shirin Neshat "A leading light in Iranian studies." The Chronicle of Higher Education "Cuts through the myths, past and present, that Americans have been told about Iran... presenting Iran's history through the lens of its literary cosmopolitanism." Susan Buck-Morss
Cornell University
"Magisterial." Houchang Chehabi
Boston University
"An important man in New York." Sir Ridley Scott "Much-needed in our troubled times." Gayatri Spivak
Columbia University
"Exemplary of a new Leftist discourse that is undogmatic and non-sectarian... open and intimate." Susan Buck-Morss
Cornell University
"Hamid Dabashi beautifully lays out the alluring dynamic between Iranian art and politics." Shirin Neshat "A rare cultural critic." Mohsen Makhmalbaf "Dabashi's passion and extraordinary vision, gives us the knowledge and commitment to stand against war and build the possibilities for peace and global justice." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi's piercing revelations have been as instrumental in fashioning my own films as have Scorsese, Rossellini and Bresson." Ramin Bahrani "Superb and brilliant." Bruce Lawrence
Duke University
"Fresh, provocative and iconoclastic." Ian Richard Netton
University of Leeds, UK
"Learned... sparkles with verve and a sometimes punishing wit. Hamid Dabashi is the perfect guide." Edward W. Said "There are few better places to begin than with Dabashi's subtle and vividly presented wealth on Iran." Said Amir Arjomand
SUNY, New York
"Objective and empathetic... unlike many others on contemporary Iran." Ervand Abrahamian
Baruch College, New York
"Enthusiastic... clear and accurate... impressive." Oliver Leaman
Liverpool John Moores University, UK
"Original, creative and insightful." John L. Esposito
Georgetown University
"Extraordinary." Daniel Brumberg
Georgetown University
"Dabashi has an astonishing ability to range over some of the most complex issues of modern intellectual life." Sudipta Kaviraj
Columbia University
"If anyone can lay claim to Nima Yushij's statement that this world is his home, it is Hamid Dabashi. I want a very broad readership to know the quality of his writing and thinking, of his immense epistemic and historical scholarship." Gayatri Chakravorty Spivak
Columbia University
"Dabashi is learned, poetic, ranging from philosophy to film, every word written with a commitment to the possibility of a just world. I have worked with him in the past and will work with him again in the future." Gayatri Chakravorty Spivak
Columbia University
"Hamid Dabashi is one of the foremost exponent today of postcolonial critical theory, whose work deserves to be called post-colonial with all the multivalence of this description." Sudipta Kaviraj
Columbia University
"Hamid Dabashi's writings on Iranian culture and politics brilliantly re-imagine the rich heritage of a shared past and a conflicted present. His reflections on revolution and nationhood, poetry and cinema, philosophy and the sacred, are urgent, provocative, complex, and highly original." Timothy Mitchell
Columbia University
"Equally fluent in philosophical reasoning, literary interpretation, visual hermeneutics and writing with a rare combination of penetration and lyricism, Dabashi's work continues values of both modern critical theory and the highly sophisticated and subtle intellectual traditions of Iranian... reflection -- for both of which he is an wonderfully sympathetic reader." Sudipta Kaviraj
Columbia University
"Hamid Dabashi belongs to a marvelous tradition of poetic thinkers, whose deep insights are crafted in magnificent poetic prose." Gilbert Achcar
University of London
"Dabashi provides his readers with the wine of literary pleasure along with rich food for thought." Gilbert Achcar
University of London
"In Dabashi's work, post-coloniality does not mean a denial or denunciation of the modern European tradition of philosophy and social theory, but their effortless absorption into a larger, more complex reflection." Sudipta Kaviraj
Columbia University
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