Truth and Narrative: The Untimely Thoughts of Ayn al-Qudat al-Hamadhani — Hamid Dabashi's Official Website
Hamid Dabashi

Truth and Narrative: The Untimely Thoughts of Ayn al-Qudat al-Hamadhani

Image: Cover scan of the book "Truth and Narrative: The Untimely Thoughts of Ayn al-Qudat al-Hamadhani"
The Public Execution of Ayn al-Qudat in a Medieval Illustrated Manuscript
The Public Execution of Ayn al-Qudat in a Medieval Illustrated Manuscript

My main purpose in writing this book is to provide an intellectual portrait of Ayn al-Qudat al-Hamadhani (49211098-525/1131), one of the most remarkable figures in medieval Persian intellectual history. Although most of his writings in Persian and Arabic have been available in critical editions, there is no single volume that provides a concise statement about his life, thought, social and intellectual environment, and singular significance in Islamic and Iranian intellectual history.

Despite the fact that Ayn al-Qudat’s highly productive life and his unusually creative imagination were brought to an abrupt end when he was brutally executed at the age of thirty-three in his native Hamadhan, he has left us a remarkable body of work which provides an immediate access to the radical range of his ideas. Ayn al-Qudat was the recipient of a rich and diversified literary culture in which the combined yet contradictory forces of the sacred and the aesthetic imagination had played defining roles. By the late fifth/eleventh century, what today we call “Islamic” civilization had attained some of its more enduring achievements. An elaborate system of jurisprudence, a sustained body of speculative theology, monumental elaborations of the Aristotelian-Avicennian philosophy, and an ecstatically self-conscious narrative of what has been termed “Islamic Mysticism” (Sufism) were among the dominant intellectual domains of Ayn al-Qudat’s time. Beyond these quintessentially theocentric discourses, there was an immensely developed institution of humanism (or adab) to which Ayn al- Qudat had equal access and attraction. Locating Ayn al-Qudat in the universe of his received intellectual history provides a necessary back- ground against which his own unprecedented achievements may be assayed.

My reasons for writing this intellectual biography of Ayn al-Qudat are varied but primarily geared towards a radical re-assessment of the terms of engagement with the medieval intellectual history of Islam and Iran. I am convinced that there is a serious need to de-mystify both the Islamic and Iranian intellectual histories via a critical assessment of the dominant modes of Orientalist historiography. In the introduction, I provide a detailed account of how I think this radical rethinking of the Orientalist legacy needs to be performed. Ayn al-Qudat’s life and creative imagination provide a unique opportunity to grasp the animating social and intellectual forces operative in the early part of the sixth/twelfth century in the western part of the Seljuq empire (reg. 429/1038-590/1194). It is impossible to grasp the relative significance of intellectual forces operative in this period unless they are released from the artificial hermetic seal under which they are customarily represented and thus made ready to be related to the dominant social and political forces of their time. While sketching the main features of Ayn al-Qudat’s creative concerns and animating ideas, I shall try to read some of the immediate material implications of his thoughts. As I shall demonstrate in the main body of this book, Ayn al-Qudat had some rather radical ideas about the nature of faith, the function of revelation, the purpose of divine messengership, and a range of related issues that collectively constitute the very creedal principles of Islam. He engaged these creedal principles in an inaugural and originary language, divorcing his narrative radically from the dominant mode of writing about such issues. I wish to demonstrate the precise nature of his radical narrative and outline the principal characteristics of his highly individualistic mode of engaging with the constitutional doctrines of a world religion. I commence my study of Ayn al-Qudat with an attempt to understand the dominant features of his social and intellectual circumstances. Ayn al- Qudat spent much of his adult life under the reign of Mughith al-Din Mahmud (reg. 511/1118-525/1131), a minor Seljuq prince whose higher aspirations were aborted by his more powerful uncle, Sultan Sanjar (reg. 511/1118-552/1157). The Sunni clerical establishment was highly influential under the reign of the newly converted Seljuqs, who were equally conscious of their relations of power to the continued legitimizing authority of the Abbasid caliphs. Philosophers and Sufis were equally present and relatively powerful in this period. Defending the Islamic lands against the invading Crusaders had given the Seljuqs a particularly powerful position vis-à-vis the Abbasid caliphs and in turn provided them with a free reign over the fate of their subjects. Ayn al-Qudat was actively present in the politics of his time and had close and friendly relations with a number of highly influential Seljuq officials.

(From the Preface to Truth and Narrative)

Copyright ©2009-2024 Hamid Dabashi. All rights reserved.
Array ( [2] => Array ( [title] => [text] => "A leading cultural observer." Washington Post "Our most prominent intellectual." Shirin Neshat "Renowned Columbia University scholar on Iranian culture." Boston Globe "Spectacular, important, and incisive. Dabashi's work is crucial for our times." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi lovingly writes about the history of Iran that teaches us how to understand a people overshadowed by the grand narratives of political (mis)representation." Gayatri Spivak
Columbia University
"You are with a humanist who deeply loves his country, and invites you to feel very much at home." Susan Buck-Morss
Cornell University
"Superb authority... Dabashi provides a tour de force on Iranian art, politics and culture." Shirin Neshat "Great erudition and imagination... bringing out rich aspects of Iranian culture that are little known or not recognized." Vanessa Martin, Royal Holloway
University of London
"Hamid Dabashi, is one of the most significant intellectual voices outside of Iran since the Islamic revolution." Shirin Neshat "A leading light in Iranian studies." The Chronicle of Higher Education "Cuts through the myths, past and present, that Americans have been told about Iran... presenting Iran's history through the lens of its literary cosmopolitanism." Susan Buck-Morss
Cornell University
"Magisterial." Houchang Chehabi
Boston University
"An important man in New York." Sir Ridley Scott "Much-needed in our troubled times." Gayatri Spivak
Columbia University
"Exemplary of a new Leftist discourse that is undogmatic and non-sectarian... open and intimate." Susan Buck-Morss
Cornell University
"Hamid Dabashi beautifully lays out the alluring dynamic between Iranian art and politics." Shirin Neshat "A rare cultural critic." Mohsen Makhmalbaf "Dabashi's passion and extraordinary vision, gives us the knowledge and commitment to stand against war and build the possibilities for peace and global justice." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi's piercing revelations have been as instrumental in fashioning my own films as have Scorsese, Rossellini and Bresson." Ramin Bahrani "Superb and brilliant." Bruce Lawrence
Duke University
"Fresh, provocative and iconoclastic." Ian Richard Netton
University of Leeds, UK
"Learned... sparkles with verve and a sometimes punishing wit. Hamid Dabashi is the perfect guide." Edward W. Said "There are few better places to begin than with Dabashi's subtle and vividly presented wealth on Iran." Said Amir Arjomand
SUNY, New York
"Objective and empathetic... unlike many others on contemporary Iran." Ervand Abrahamian
Baruch College, New York
"Enthusiastic... clear and accurate... impressive." Oliver Leaman
Liverpool John Moores University, UK
"Original, creative and insightful." John L. Esposito
Georgetown University
"Extraordinary." Daniel Brumberg
Georgetown University
"Dabashi has an astonishing ability to range over some of the most complex issues of modern intellectual life." Sudipta Kaviraj
Columbia University
"If anyone can lay claim to Nima Yushij's statement that this world is his home, it is Hamid Dabashi. I want a very broad readership to know the quality of his writing and thinking, of his immense epistemic and historical scholarship." Gayatri Chakravorty Spivak
Columbia University
"Dabashi is learned, poetic, ranging from philosophy to film, every word written with a commitment to the possibility of a just world. I have worked with him in the past and will work with him again in the future." Gayatri Chakravorty Spivak
Columbia University
"Hamid Dabashi is one of the foremost exponent today of postcolonial critical theory, whose work deserves to be called post-colonial with all the multivalence of this description." Sudipta Kaviraj
Columbia University
"Hamid Dabashi's writings on Iranian culture and politics brilliantly re-imagine the rich heritage of a shared past and a conflicted present. His reflections on revolution and nationhood, poetry and cinema, philosophy and the sacred, are urgent, provocative, complex, and highly original." Timothy Mitchell
Columbia University
"Equally fluent in philosophical reasoning, literary interpretation, visual hermeneutics and writing with a rare combination of penetration and lyricism, Dabashi's work continues values of both modern critical theory and the highly sophisticated and subtle intellectual traditions of Iranian... reflection -- for both of which he is an wonderfully sympathetic reader." Sudipta Kaviraj
Columbia University
"Hamid Dabashi belongs to a marvelous tradition of poetic thinkers, whose deep insights are crafted in magnificent poetic prose." Gilbert Achcar
University of London
"Dabashi provides his readers with the wine of literary pleasure along with rich food for thought." Gilbert Achcar
University of London
"In Dabashi's work, post-coloniality does not mean a denial or denunciation of the modern European tradition of philosophy and social theory, but their effortless absorption into a larger, more complex reflection." Sudipta Kaviraj
Columbia University
[filter] => 1 ) [_multiwidget] => 1 )