Mashya and Mashyana Unearthed Myth, Metonymy and the Unknowing Subject — Hamid Dabashi's Official Website
Hamid Dabashi

Mashya and Mashyana Unearthed Myth, Metonymy and the Unknowing Subject

Examines the continuity between a people’s ancient mythologies and their contemporary aesthetic tastes

Offers a provocative retrieval of the ancient Iranian myth of creation to enable a fresh new way of looking at contemporary art and culture

Critically reflects on how cultural continuities and civilizational endurance defy, overcome and correct the course of history and the logic of chronological periodisation

Provides a detailed study of contemporary Iranian visual and performing arts with reference to their global context, exploring themes of gender and sexuality, self and society, home and exile, solitude and liberation, mysticism and philosophy—

Explores the world of Iranian film, fiction, poetry and drama as the wellspring of modern mythologies of selfhood and personhood rooted in hidden and unexplored subterranean visions of an alterity we have not yet assayed –

Examines the ways in which the ancient Iranian myth of creation resurface in contemporary film, fiction, and poetry, as metonymic allusions that accommodate to overcome a politics of despair

What if all we see, read, feel, fear, desire and repress in contemporary film, fiction and poetry are metonymic substitutes for much older and more ancient mythologies? What if our modern mythologies are not actually that modern?

Using Iran as an example of an ancient civilization with a sustained course of continuity all the way to the present time, this book moves towards a philosophical reflection on the relationship between what we see and feel today when engaging with art, literature and film and what we have otherwise deeply buried in the forgotten layers of our collective consciousness from time immemorial.

This is the story of Mashya and Mashyana Unearthed, an exploration of when and where ancient myths become metonymic in varied forms of contemporary cultural and aesthetic representations.

 

Link to the Edinburgh University press Page:

https://edinburghuniversitypress.com/book-mashya-and-mashyana-unearthed.html

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Array ( [2] => Array ( [title] => [text] => "A leading cultural observer." Washington Post "Our most prominent intellectual." Shirin Neshat "Renowned Columbia University scholar on Iranian culture." Boston Globe "Spectacular, important, and incisive. Dabashi's work is crucial for our times." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi lovingly writes about the history of Iran that teaches us how to understand a people overshadowed by the grand narratives of political (mis)representation." Gayatri Spivak
Columbia University
"You are with a humanist who deeply loves his country, and invites you to feel very much at home." Susan Buck-Morss
Cornell University
"Superb authority... Dabashi provides a tour de force on Iranian art, politics and culture." Shirin Neshat "Great erudition and imagination... bringing out rich aspects of Iranian culture that are little known or not recognized." Vanessa Martin, Royal Holloway
University of London
"Hamid Dabashi, is one of the most significant intellectual voices outside of Iran since the Islamic revolution." Shirin Neshat "A leading light in Iranian studies." The Chronicle of Higher Education "Cuts through the myths, past and present, that Americans have been told about Iran... presenting Iran's history through the lens of its literary cosmopolitanism." Susan Buck-Morss
Cornell University
"Magisterial." Houchang Chehabi
Boston University
"An important man in New York." Sir Ridley Scott "Much-needed in our troubled times." Gayatri Spivak
Columbia University
"Exemplary of a new Leftist discourse that is undogmatic and non-sectarian... open and intimate." Susan Buck-Morss
Cornell University
"Hamid Dabashi beautifully lays out the alluring dynamic between Iranian art and politics." Shirin Neshat "A rare cultural critic." Mohsen Makhmalbaf "Dabashi's passion and extraordinary vision, gives us the knowledge and commitment to stand against war and build the possibilities for peace and global justice." Zillah Eisenstein
Ithaca College, NY
"Hamid Dabashi's piercing revelations have been as instrumental in fashioning my own films as have Scorsese, Rossellini and Bresson." Ramin Bahrani "Superb and brilliant." Bruce Lawrence
Duke University
"Fresh, provocative and iconoclastic." Ian Richard Netton
University of Leeds, UK
"Learned... sparkles with verve and a sometimes punishing wit. Hamid Dabashi is the perfect guide." Edward W. Said "There are few better places to begin than with Dabashi's subtle and vividly presented wealth on Iran." Said Amir Arjomand
SUNY, New York
"Objective and empathetic... unlike many others on contemporary Iran." Ervand Abrahamian
Baruch College, New York
"Enthusiastic... clear and accurate... impressive." Oliver Leaman
Liverpool John Moores University, UK
"Original, creative and insightful." John L. Esposito
Georgetown University
"Extraordinary." Daniel Brumberg
Georgetown University
"Dabashi has an astonishing ability to range over some of the most complex issues of modern intellectual life." Sudipta Kaviraj
Columbia University
"If anyone can lay claim to Nima Yushij's statement that this world is his home, it is Hamid Dabashi. I want a very broad readership to know the quality of his writing and thinking, of his immense epistemic and historical scholarship." Gayatri Chakravorty Spivak
Columbia University
"Dabashi is learned, poetic, ranging from philosophy to film, every word written with a commitment to the possibility of a just world. I have worked with him in the past and will work with him again in the future." Gayatri Chakravorty Spivak
Columbia University
"Hamid Dabashi is one of the foremost exponent today of postcolonial critical theory, whose work deserves to be called post-colonial with all the multivalence of this description." Sudipta Kaviraj
Columbia University
"Hamid Dabashi's writings on Iranian culture and politics brilliantly re-imagine the rich heritage of a shared past and a conflicted present. His reflections on revolution and nationhood, poetry and cinema, philosophy and the sacred, are urgent, provocative, complex, and highly original." Timothy Mitchell
Columbia University
"Equally fluent in philosophical reasoning, literary interpretation, visual hermeneutics and writing with a rare combination of penetration and lyricism, Dabashi's work continues values of both modern critical theory and the highly sophisticated and subtle intellectual traditions of Iranian... reflection -- for both of which he is an wonderfully sympathetic reader." Sudipta Kaviraj
Columbia University
"Hamid Dabashi belongs to a marvelous tradition of poetic thinkers, whose deep insights are crafted in magnificent poetic prose." Gilbert Achcar
University of London
"Dabashi provides his readers with the wine of literary pleasure along with rich food for thought." Gilbert Achcar
University of London
"In Dabashi's work, post-coloniality does not mean a denial or denunciation of the modern European tradition of philosophy and social theory, but their effortless absorption into a larger, more complex reflection." Sudipta Kaviraj
Columbia University
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